RME Babyface Pro FS Audio Interface

RME Babyface Pro FS Audio Interface

RME Babyface Pro FS Audio Interface

4 ⭐⭐⭐⭐ This RME Babyface Pro FS Audio Interface has been fully tested and serviced by our team of music experts and works like new. There are some signs of previous use, but what fun is a rental if you don’t use it? Any signs of previous use are minor and superficial and there are no notable marks or scratches. All the photos to the left are of the item you would receive so you can see for yourself (yes, we really have someone downstairs photographing every preloved product). Included: 2x USB cables and a midi cables.

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Babyface Pro FS again demonstrates RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminium, this high-end portable interface incorporated newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.

The two headphone outputs, offering TRS and mini-jack sockets in parallel, have completely separate driver stages to perfectly match low and high impedance headphones, guaranteeing pristine sonic results no matter what type of headphone is used. The 3.5 mm TRS phones output power rises to 90 mW. THD of both phones outputs improved by up to 10 dB. and uses same output op-amps as ADI-2 Pro now. Finally the output impedance of 3.5 mm TRS was lowered from 2 Ohms to 0.1 Ohms.

For the main I/O RME have designed a XLR socket, which integrates seamlessly into the housing and saves space. Two digitally controlled preamps provide individually switchable 48V phantom power. These circuits feature a gain range of 76 dB, adjustable in steps of 1 dB, including a relay-driven PAD, resulting in exceptional EIN (Equivalent Input Noise) performance as well as line overload protection, and enough gain for even the lowest level microphones.

Babyface Pro’s incredibly efficient design almost never requires an external power supply – it’s perfectly stable on USB 3 bus power, and also most USB 2 ports, with no degradation in any technical specification. This makes it perfect for mobile recording, even with a pair of your favourite condenser microphones. The comprehensive feature set continues with an optical TOSLINK I/O; use as either an ADAT port with SMUX support or SPDIF for sessions up to 192 kHz. In combination with an external ADAT converter, the Babyface Pro fully supports 12 analog inputs as well as 12 outputs, making it ideal for both live and studio multi-track applications. You can plug any instrument, line or high impedance, into Babyface Pro’s jack inputs 3 & 4. Record your guitar on the go, with no additional hardware required. MIDI I/O via an included breakout cable completes the package.

In digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Unfortunately, the clock frequency is not always as stable as desired. The Babyface Pro FS offers the full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity. Excellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Digital format conversion in RME products are done without any loss or degradation, and SteadyClock FS ensures your sonic image will never experience degradation. This helps to optimize recordings and mixes because the soundstage has more depth and clarity.

Straight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired. RME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range. The clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.

  • 12 IN / 12 OUT 192kHz bus-powered audio interface
  • ADI-2 Series Headphone Power
  • THD of both phones outputs improved by up to 10 dB
  • Full range capture - Improved Mic & Line Inputs
  • Uses same output op-amps as ADI-2 Pro
  • More Pro level Performance with SteadyClock FS
  • Lowest jitter and highest jitter immunity
  • +19/+4 dBu switch on the bottom adds a direct way to reduce the output level
  • THD of both headphones outputs improved by up to 10 dB
  • Mixing & Routing with TotalMix FX & TotalMix Remote
  • Easy to use and perfectly Stable
  • Transport audio with lowest latency and industry leading stability
  • 4 x Analog I/O
  • 2 x Phones Output
  • 1 x ADAT I/O
  • 1 x MIDI I/O
  • RME USB 2.0
  • 2 x Line/Instrument Input
  • K-slot for theft protection