The versatile AKG C214 Large-Diaphragm Condenser Microphone is designed to record lead vocals, drums, acoustic instruments, and guitar amplifiers in the studio, on stage, or in broadcasting situations. Conceived as a cost-effective alternative to the renowned C414 microphone, this microphone uses the same 1" capsule but in a single-diaphragm, cardioid-only configuration. The transducer features technology that allows the membrane to vibrate freely, resulting in a wide frequency range and detailed transients, even at high sound-pressure levels.
With the addition of a switchable -20 dB pad and a 160 Hz low-cut filter, the C214 is well suited for close-miking applications as well as overhead placement. The C214 is a rugged microphone built to withstand the severities of professional studios or the road. The integrated capsule suspension helps reduce mechanical noise and resonance for a cleaner sound. The die-cast metal body with shock- and scratch-resistant finish features a double-mesh grille which protects the capsule and ensures efficient rejection of RF interference without affecting acoustics. The C214 comes with a metal carrying case, a foam windscreen, and a spider-type shock mount.
AKG's legendary C414 needs no introduction as it is a tool found in most recording studios and has been used on thousands of hit records. Plus, it has been on stage with artists of every musical genre and is also used by leading broadcast facilities the world over.
The C214 is designed as a cost-effective alternative to the high-end, industry-leading C414 family. This microphone uses the same 1" dual-capsule as the legendary C414 in a single-diaphragm, cardioid-only design, giving it performance close to that of the C414.
The C214 has AKG's legendary large-diaphragm sound and is capable of an incredible 143 dB dynamic range for uncompressed, life-like transients while delivering low self-noise of 13 dBA. The C214's edge-terminated capsule delivers a highly detailed, up-front sound that brings out nuances of any voice or instrument.
Thanks to its switchable -20 dB attenuation pad and 160 Hz low-cut filter, the C214 can be used in sound fields as high as 156 dB SPL. So, it can be used on stage for close-up miking for even very loud applications like drum overheads, guitar amps, or high-output brass.
The C214 features an integrated capsule suspension that reduces mechanical noise and resonances for even greater sonic accuracy. The double mesh, all-metal grille protects the capsule and ensures high RF immunity without affecting acoustical performance.
The C214 has a roadworthy construction quality with a scratch-resistant finish, a dent-resistant metal grille, and a gold-plated XLR output.
Form Factor | Large Diaphragm Mic / Stand / Boom Mount |
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Intended Sound Sources | Vocals, Instrument |
Sound Field | Mono |
Operating Principle | Pressure Grandient |
Element Type | Condenser |
Polar Pattern | Cardiod |
Orientation | Side-State |
On-Board Controls | High-Pass Filter, Pad |