Epiphone EJ-200SCE

Epiphone EJ-200SCE

Epiphone EJ-200SCE

4 ⭐⭐⭐⭐ This Epiphone EJ-200SCE has been fully tested and serviced by our team of music experts and works like new. There are some signs of previous use, but what fun is a rental if you don’t use it? Any signs of previous use are minor and superficial and there are no notable marks or scratches. All the photos to the left are of the item you would receive so you can see for yourself (yes, we really have someone downstairs photographing every preloved product).

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The Epiphone EJ-200SCE pushes the “King of the Flat Tops,” into the future with a spectacular cutaway for total upper fret access plus the eSonic2™ preamp system.

Originally introduced in 1937, the J-200 style set a standard for guitar excellence that others have been trying to match ever since. Today—over 70 years later—the legacy of the “King of the Flat-tops” lives on in our EJ 200SCE.

The EJ-200 style is simply the world’s most famous acoustic guitar, known equally for its majestic look and focused, complex sound.

When the EJ-200 was first introduced, it immediately filled a need for a deeper, more balanced and powerful acoustic instrument that could project over stage and radio. The J-200 was a radical new design, bigger and bolder than any previous guitar, capable of projecting well beyond that of any other acoustic on the market—a fact that still holds true today with the EJ-200SCE.

Every great rhythm guitarist and singer of the last century made the J-200 their primary acoustic instrument on stage (and for record covers, too) including Don Everly, Bob Dylan, Robbie Robertson, Emmylou Harris, Elvis Presley, Gram Parsons, Buddy Holly, and Pete Townshend. The EJ-200SCE gives you everything great from this iconic and historic guitar without the headaches or the price tag of an original plus a modern pickup system so you can be heard anywhere.

Like all Epiphone instruments, the EJ-200SCE is covered by our Limited Lifetime Warranty and the Gibson Family of Instrument’s 24/7/365 customer service. Pick up an EJ-200SCE today and become a believer in the King of the Flat-tops!
Nickel Grover Rotomatic Tuners
Grover’s original Rotomatic tuners are an engineering marvel, with abundant style and performance exactly suited for the J-45. With a gear ratio of 14:1, the Rotomatics deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. All moving parts are cut for exact meshing, eliminating the possibility of slippage. A countersunk tension screw lets players regulate the tuning tension to any degree. A special lubricant inside the gear box provides smooth and accurate tuning stability.

Body Tonewoods (back, sides and top)
The top of the J-45 Standard is made from AA-grade Sitka spruce, while the back and sides are constructed from pattern grade Honduras mahogany, giving the J-45 Standard its world renowned full, balanced expression, warm bass, and excellent projection. Selecting the right wood, and the formula to dry it out, are two of the most central procedures to Gibson’s guitar-building process. Beginning with its first catalog in 1903, Gibson has assured its customers that every guitar would be built using woods with “the most durable, elastic, and sonorous qualities,” and today’s guitars from Gibson Acoustic are no different.

Pickguard
The pickguard for the J-45 Standard is Gibson’s standard plain tortoise tear drop shape, which has been used on the J-45 since its introduction in 1942. As with all of Gibson’s pickguards, the coloring, inlay, and binding are all done by hand.

Rosette
A rosette is the beautiful, hand-crafted circle around the soundhole, and can be one of the most ornamental elements of any acoustic guitar. It is also one of the most subtle and complicated woodworking decorations on any acoustic guitar. The rosette on the J-45 Standard is a simple single-ring rosette consisting of three-ply binding, adding a stylish, understated elegance to the J-45 Standard.
Rosewood Fingerboard with Rolled Edges and Dot Inlays
The fingerboard of Gibson’s J-45 Standard is constructed from the highest grade rosewood on earth, which is personally inspected and qualified by Gibson’s team of skilled experts before it enters the Gibson factories. The resilience of this durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The J-45’s dot inlays are made of genuine mother of pearl, measuring approximately ¼-inch in diameter, and are inserted into the fingerboard using a process that eliminates gaps and doesn’t require the use of fillers. The fingerboard also sports a rolled edge—instead of the usual right angle where the fingerboard surface meets the neck, Gibson Acoustic’s rolled edges are slightly beveled for an extremely smooth and comfortable feel, enhancing the playability of the J-45.

L.R. Baggs Element Active Acoustic Pickup System
Gibson Acoustic’s J-45 Standard comes equipped with the popular Element Active Acoustic Pickup System from L.R. Baggs, which features a low-profile undersaddle element—or transducer—that’s proven more stable and durable than many standard ribbon-type pickups. Combined with an onboard preamp with an unobtrusive and removable volume control mounted just inside the soundhole, the Element delivers performance not previously attainable from an undersaddle pickup. Its sleek and effective design removes unnecessary internal components to enhance the coupling between the pickup and the guitar, and improve the sensitivity of the transducer for a robust, lively, and natural acoustic sound with excellent dynamics and delicate high end. The Element works with a standard 9V battery, which is housed inside the guitar in L.R. Bagg’s new “Battery Bagg.”

Bracing
Every acoustic guitar made by Gibson features hand-scalloped, radiused top bracing inside the body, a feature normally found only in limited run, hand-made guitars. By scalloping each brace by hand, the natural sound of the acoustic is focused more toward the center of the body, enhancing the instrument’s sound projection. The J-45 Standard features a variation of Gibson’s “X” bracing pattern situated behind the soundhole, with a set of tall and thin braces for the back, and scalloped tall and thin braces for the top. This legendary bracing design delivers a balanced expression, with punchy, deep lows, warm mids, and clear, crisp highs. When pushed for more volume, the J-45 projects a natural compression, which helps it blend nicely with any accompaniment.
Gibson Logo

The Gibson name has graced the most innovative and revolutionary acoustic guitars of our time—the Super Jumbos, the J-45, the Hummingbird, the Dove. There is no mistaking the classic, mother-of-pearl logo, pressed onto the face of the headstock. It represents more than a century of originality and excellence. There is simply no equal.

Tapered Dovetail Neck Joint

The dovetail neck joint is one of the oldest—and best—ways of securely joining the neck to the body of a guitar. It is also a complex and expensive neck joint to build, but the result is a tight, locking connection that supports the neck at the proper neck-pitch angle, allowing the body and neck to become one solid piece of resonating wood, with no metal to impede vibration. This process is done entirely by hand, requiring patience and skill.

Radius Top

The top of many “flat-top” guitars are under a lot of stress from the pull of the strings, which can eventually compromise the top. So, while most acoustic guitars are true “flat-top” guitars, all of the acoustics produced by Gibson in Bozeman, Montana have a radiused, or “tuned” top. Instead of being perfectly flat, a radiused or “tuned” top is raised slightly, and a special instrument is used to shape the top braces to the radius of the top. This process adds tension and strengthens the top, creating a less stressful joint where the top meets the sides and reducing the stresses of string pull. It also results in a “speaker cone” effect that maximizes sound projection, adding a significant boost to mid-range levels for a more balanced acoustic tone.

Nitrocellulose Finish

Applying a nitrocellulose finish to any Gibson acoustic guitar—including the J-45 Modern Classic—is one of the most labor-intensive elements of the guitar-making process. Unlike the polyurethane finishes used by many guitar manufacturers, a nitrocellulose lacquer finish is porous when cured, allowing the wood to naturally “breathe” and mature. Microscopically thin, many finish colors require up to seven evenly applied layers to complete, each of which is inspected, leveled, and wet polished between coats for a glass-like finish. The time-consuming nature of a nitro finish has been employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish means there is less interference with the natural vibration of the instrument, allowing for a purer tone. It’s also a softer finish, making it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can’t do the same on a poly finish.

Body Binding

In general, a guitar’s binding serves as a cosmetic feature, adding a subtle elegance to any Gibson acoustic while hiding the joints between the top, back, and sides, and helping to protect the guitar’s body from any nicks or dings. But to see the process of putting the binding on a Gibson acoustic is to really appreciate the effort and attention put into each instrument. After the body has been glued together, the excess from the top and back are trimmed off and a groove is cut for the binding. The binding is then glued on and held on to the body using tape, and hung to dry. When the tape comes off, any excess glue is removed and the body is moved into the next phase of production. It has been done the same way for over 100 years, and is a fundamental part of Gibson Acoustic’s rich guitar-making history.

Body select maple
Top Solid Spruce
Neck maple
Fingerboard rosewood with crown inlays
Bridge rosewood with synthetic bone saddle
Pickup eSonic2™
Controls Built-in Tuner, Master Volume, Master Tone, Phase, Treble, Bass, EQ Shape, Low battery indicator, Tuner On/Off/Mute
Power Two 2032 Lithium Batteries
Output 1/4” mono 1/4” stereo blend
Pickguard Tortoise shell style
Machine Heads Gold Grover®
Colors Black (BK), Natural (NA), Vintage Sunburst (VS)
Typical Weight (+/- 5%) 5.9 lbs
Strings D’Addario® 12, 16, 25, 34, 41, 53
The New King of the Flat Tops
The EJ-200SCE’s classic shape is made with a Solid Spruce top with select maple, back and sides and a striking cutaway for total fret access. Our famous SlimTaper™ select maple neck joins the body at the 14th fret and has a 25.5” scale. The rosewood fingerboard has vintage style pearloid crown inlays and a 1.68” nut along with our iconic Sloped Dovewing Epiphone headstock with premium die-cast gold 14:1 tuners.
Historic Tone Made New
The tone from the EJ-200SCE’s select maple top is enhanced by the classic rosewood “mustache” bridge and synthetic bone saddle. A tortoise style pickguard helps round-out the EJ-200SCE’s iconic look which even from far away, tells everyone that you’re playing the King of the Flat-tops. One of the EJ-200SCE’s most outstanding qualities on stage and in the studio is its strong yet balanced tone which makes rhythm guitarists as well as singers feel like they’re being backed up by a band even when they’re playing solo. The rich and complex tones of the EJ-200 truly will inspire musicians everywhere over and over again. The EJ-200SCE is available in three beautiful colors, Black (BK), Natural (NA) and Vintage Sunburst (VS).
Plug In and Play
The EJ200SCE also includes the new Epiphone eSonic2™ preamp system. Made in cooperation with Shadow Germany, the new eSonic2™ preamp features a built-in, easy-to-use tuner. When engaged, the guitar’s output is automatically muted with no “popping” noise, making it a perfect choice for stage use. You can even push in the “tuner” button and unplug the guitar without a loud “pop.” Other controls on this state-of-the-art preamp include Master Volume, NanoFlex™ Tone, NanoMag™ Tone, Stereo Blend, Low Battery indicator and a Phase switch to help eliminate unwanted feedback. The preamp uses two 2032 lithium watch batteries that are not only lightweight, but provide significantly longer life than old-fashioned, heavy 9V batteries.
Revolutionary Stereo Pickups!
Under the EJ-200SCE's compensated saddle, is Shadow’s proprietary NanoFlex™, low-impedance pickup. Unlike a piezo, the unique flexible sensing material features integrated active electronics that not only picks string vibration but also top and body vibrations as well for a truly acoustic tone without the harshness of piezos. Complimenting the NanoFlex is the revolutionary NanoMag™ pickup mounted at the harmonic-rich end of the fingerboard. Exclusively from Shadow, the NanoMag features 3 Samarian-Cobalt magnets and an integrated active circuit to capture all the highs and lows, including a wide range of harmonics. With your choice of either 1/4" mono output blending both pickups or 1/4" stereo output splitting the two pickups, you have incredible flexibility and opportunities to create the perfect acoustic tone live!
Rock Steady Hardware
Epiphone’s hardware has always been the best in the business and the EJ-200SCE is no exception. The new jumbo king features gold Grover® tuners and gold screws on the traditional “bell” style truss rod cover.