When it comes to your studio recordings, you want honesty. In fact, considering how important your art is, you should demand it! That’s why we designed the new B1031A Reference Monitors to speak nothing but the TRUTH. Oh, they still sound great hooked up to your stereo or your video surround system, but they were really built with the studio in mind — where every note you play or sing is “under the microscope”.
Our monitors have been so wildly successful that we’ve sold thousands upon thousands of them to some of the most critical ears on the planet — ears that demand the neutral sound of a true reference monitor. Ask any recording engineer and they will tell you that listening to a recording on just a single set of monitors doesn’t always paint an accurate picture of the mix. Since people listen to music at home, in their cars, on mp3 players, etc., it is critical your final mix be heard on as many sizes and types of speakers as possible. That’s the reason we created these smaller B1031A monitors, plus they make ideal rear channel speakers for surround sound applications.
It takes quite a bit more than just a “bulletproof” woofer and a high-tech tweeter stuck inside a fancy box to make a studio monitor of this class. It also takes power — and lots of it! But even more importantly, that power has to be matched to the individual high- and low-frequency transducers. While some of our competitors are content to stick whatever speakers they have on the shelf into haphazardly designed boxes and then strap on a one-size fits-all amplifier package, we build every single component from the ground up.
We pack 150-Watts of bi-amped technology (including a time- and phase-corrected active crossover) into every B1031A, ensuring that you have the enormous power reserves you’ll need to drive them really hard.
The ideal environment for listening is a linear sounding room neither too reflective (too much reverb and echos) nor too absorptive (muffled and unnatural sound). But since all rooms are not the same acoustically, all TRUTH monitors come equipped to function in a wide variety of situations. Switches are provided to adapt the monitor’s lowand high-frequency characteristics for optimal performance specific to your listening environment.
Placement is also critical. Ideally, all loudspeakers should be placed away from walls to ensure proper bass response. But fear not, B1031A monitors feature Room Compensation switches so you can place them against walls, or even in corners. Walls tend to enhance low frequency content, and corners exaggerate bass even more, but your TRUTH monitor can be customtailored to provide honest bass response for your situation, with the simple flick of a switch or two.
While some of our competitors’ studio monitors have a highly focused “sweet spot” (the optimal listening position for a pair of loudspeakers), our wave-guide is designed to create a much more generous, broader listening zone. That means you won’t wear a hole in the carpet in that one spot where everything sounds great. You are free to move around inside the stereo image to find the ideal spot in the mix for subtle instrument or effects placement opportunities.
You also won’t suffer the ravages of “monitor-fatigue-syndrome,” an ailment that comes from listening to harsh highmids and treble content for hours on end — a pretty important consideration for those all-night mixdown sessions that can really test your nerves.